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For a maid whom love happy would render.,

“You figgered you was goin’ to git clean away an’ dust it for the dam, huh? Goin’ to tell ’em that we-uns up here was aimin’ to play thunder with that ol’ bunch o’ masonry that’s a-goin’ to take the bread out o’ our mouths, huh?”,

Just before sundown next day they came to an obstacle which at first sight rather daunted them. As they rounded a bend, the most surprising bit of scenery they had so far encountered flashed before their eyes. The canyon seemed to stop, to have no outlet. It was as if they had come into an amphitheater from which there was no escape. Even the way they had come in was not visible. The point of rocks which had made the bend in the river merged into the sides of the canyon in such a way as to make it seem that there was no opening at all.,

It was dynamite, dynamite stolen probably from the work and brought up and stored here for some evil purpose. Evidently Miguel was preparing to strike the first blow in the plot against the dam.

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Towards the close of day Madame de Menon arrived at a small village situated among the mountains, where she purposed to pass the night. The evening was remarkably fine, and the romantic beauty of the surrounding scenery invited her to walk. She followed the windings of a stream, which was lost at some distance amongst luxuriant groves of chesnut. The rich colouring of evening glowed through the dark foliage, which spreading a pensive gloom around, offered a scene congenial to the present temper of her mind, and she entered the shades. Her thoughts, affected by the surrounding objects, gradually sunk into a pleasing and complacent melancholy, and she was insensibly led on. She still followed the course of the stream to where the deep shades retired, and the scene again opening to day, yielded to her a view so various and sublime, that she paused in thrilling and delightful wonder. A group of wild and grotesque rocks rose in a semicircular form, and their fantastic shapes exhibited Nature in her most sublime and striking attitudes. Here her vast magnificence elevated the mind of the beholder to enthusiasm. Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frowned—the projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs. The scene inspired madame with reverential awe, and her thoughts involuntarily rose, 'from Nature up to Nature's God.' The last dying gleams of day tinted the rocks and shone upon the waters, which retired through a rugged channel and were lost afar among the receding cliffs. While she listened to their distant murmur, a voice of liquid and melodious sweetness arose from among the rocks; it sung an air, whose melancholy expression awakened all her attention, and captivated her heart. The tones swelled and died faintly away among the clear, yet languishing echoes which the rocks repeated with an effect like that of enchantment. Madame looked around in search of the sweet warbler, and observed at some distance a peasant girl seated on a small projection of the rock, overshadowed by drooping sycamores. She moved slowly towards the spot, which she had almost reached, when the sound of her steps startled and silenced the syren, who, on perceiving a stranger, arose in an attitude to depart. The voice of madame arrested her, and she approached. Language cannot paint the sensation of madame, when in the disguise of a peasant girl, she distinguished the features of Julia, whose eyes lighted up with sudden recollection, and who sunk into her arms overcome with joy. When their first emotions were subsided, and Julia had received answers to her enquiries concerning Ferdinand and Emilia, she led madame to the place of her concealment. This was a solitary cottage, in a close valley surrounded by mountains, whose cliffs appeared wholly inaccessible to mortal foot. The deep solitude of the scene dissipated at once madame's wonder that Julia had so long remained undiscovered, and excited surprize how she had been able to explore a spot thus deeply sequestered; but madame observed with extreme concern, that the countenance of Julia no longer wore the smile of health and gaiety. Her fine features had received the impressions not only of melancholy, but of grief. Madame sighed as she gazed, and read too plainly the cause of the change. Julia understood that sigh, and answered it with her tears. She pressed the hand of madame in mournful silence to her lips, and her cheeks were suffused with a crimson glow. At length, recovering herself, 'I have much, my dear madam, to tell,' said she, 'and much to explain, 'ere you will admit me again to that esteem of which I was once so justly proud. I had no resource from misery, but in flight; and of that I could not make you a confidant, without meanly involving you in its disgrace.'—'Say no more, my love, on the subject,' replied madame; 'with respect to myself, I admired your conduct, and felt severely for your situation. Rather let me hear by what means you effected your escape, and what has since be fallen you.'—Julia paused a moment, as if to stifle her rising emotion, and then commenced her narrative.,

They gulped their coffee and soon cast off, letting the stream carry them gently towards the face of the great obstruction. A few minutes later they saw the solution of this mystery. Under the cliff the river flowed swiftly and silently into a dark hole.,

Having taken what provision the marquis had brought, they quitted the cell, and entered upon the dark passage, along which they passed with cautious steps. Julia came first to the door of the cavern, but who can paint her distress when she found it was fastened! All her efforts to open it were ineffectual.—The door which had closed after her, was held by a spring lock, and could be opened on this side only with a key. When she understood this circumstance, the marchioness, with a placid resignation which seemed to exalt her above humanity, addressed herself again to heaven, and turned back to her cell. Here Julia indulged without reserve, and without scruple, the excess of her grief. The marchioness wept over her. 'Not for myself,' said she, 'do I grieve. I have too long been inured to misfortune to sink under its pressure. This disappointment is intrinsically, perhaps, little—for I had no certain refuge from calamity—and had it even been otherwise, a few years only of suffering would have been spared me. It is for you, Julia, who so much lament my fate; and who in being thus delivered to the power of your father, are sacrificed to the Duke de Luovo—that my heart swells.',

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